Топик: Bosch, Hieronymus
master of the monstrous... the discoverer of the unconscious.
Carl Gustav Jung, on Hieronymus Bosch
Hieronymus, or Jerome, Bosch, b. c.1450, d. August 1516,
spent his entire artistic career in the small Dutch town of Hertogenbosch, from
which he derived his name.
the time of his death, Bosch was internationally celebrated as an eccentric
painter of religious visions who dealt in particular with the torments of hell.
During his lifetime Bosch's works were in the inventories of noble families of
the Netherlands, Austria, and Spain, and they were imitated in a number of
paintings and prints throughout the 16th century, especially in the works of
Pieter Bruegel the Elder.
was a member of the religious Brotherhood of Our Lady, for whom he painted
several altarpieces for the Cathedral of Saint John's, Hertogenbosch, all of
which are now lost. The artist probably never went far from home, although
records exist of a commission in 1504 from Philip the Handsome (later king of
Castile), for a lost Last Judgment altarpiece. None of Bosch's pictures are
dated, although the artist signed many of them.
"stones" from the head was a fairly common medieval operation;
however, for some reason Bosch has painted a flower as the object being
The unique vision of Bosch
extraordinary painter Hieronymus Bosch (c. 1450-1516) stands apart from the
prevailing Flemish traditions in painting. His style was unique, strikingly
free, and his symbolism, unforgettably vivid, remains unparalleled to this day.
Marvellous and terrifying, he expresses an intense pessimism and reflects the
anxieties of his time, one of social and political upheaval.
little is known about Bosch, which somehow seems fitting since his work is so
enigmatic. We know that he adopted the name of the Dutch town of
s'Hertogenbosch (near Antwerp) as his own, that he belonged to an
ultra-orthodox religious community called the Brotherhood of Mary, and that in
his own day he was famous. Many of his paintings are devotional, and there are
several on the theme of the Passion. He is specially famous for his fantastic,
demon-filled works, one of which is The
Temptation of St Anthony.
The Temptation of Saint Anthony
a more naturalistic painting like The
Path of Life contains sinister elements. Apart from the dog
snarling at the poverty-stricken old man, and the animal bones and skull in the
foreground, robbers attack a traveller in the background, and a gallows is
visible on the skyline above the old man's head. The Path of Life is on the outer face of the wings of a
triptych. The three inside panels display Bosch's tragic view of human
existence, dwelling upon the triumph of sin. Man's exile from Paradise is shown
on the left, the infinite variation of human vice in the centre, and its
consequence--exile to Hell--on the right.
The Fantasies of Bosch
great contrast to the painting by Memling is the one by Hieronymus (or Jerome)
Bosch. He was a Dutch artist who lived somewhat later than Memling. His work
was influenced by the Flemish school of painting.
whereas the Flemish painters created a world of serenity and reality, the world
of Bosch is one of horror and imagination. His Vision of Tondalys both amuses and frightens us. We see a
strange animal forcing a sharp stick through a large ear. A creature with a
great head stretches open its mouth to show a table with people both behind and
under it. A man caught in a big hat finds that one of his legs is sprouting
roots. People fly through the air. In the background fire lights up the sky.
marvel at the extraordinary fantasy of the artist. We also feel that the man
himself must have been very morbid to have been so concerned with pain.
Although his pictures, with their weird animals and monsters, look as if they
belong to the Middle Ages, they are not too unlike some of the paintings that
are being produced today by painters who are called surrealists. They too paint
a world of fantasy. Bosch lived at a time when the medieval period was giving
way to a new age. His paintings undoubtedly reflect his concern for a changing
world. Looked at in this way Bosch and his fantasies are curiously up to date.
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